My artworks are conceived as spatial compositions in which painted elements, the spaces between them, and the surrounding architecture together form a single unified whole.

The architecture is not simply a place to display the artwork; it becomes an integral part of the composition. The wall is an active visual element, and the spaces between the painted elements are as significant as the painted surfaces themselves.

Rather than occupying a space, each artwork is created to engage with it. Through the rhythm, proportion, scale, and placement of its elements, the composition establishes a dialogue with the architecture, influencing the way the space is perceived and experienced.

Verticality is the central language of my work. The repeated vertical elements are intended to reinforce the perception of height and establish a stronger relationship between the artwork and the architecture it inhabits. This approach is informed by the ideas of psychologist and art theorist Rudolf Arnheim, who argued that the vertical axis is one of the most fundamental forces in visual perception, closely connected to our experience of gravity, balance, and the upright human body.

My aim is to create artworks that establish a meaningful relationship with the spaces they inhabit, where painting, space, and architecture are experienced as a single unified composition.